Literary Analysis of Critic Eric Bentley and his work on Bertolt Brecht

INRTOA playwright, poet, and director who became the major German manoeuvretist of the 20th century, Bertolt Brecht highly-developed what became cognize as epic, or nondramatic, theater. In Brechts view drama should not imitate reality, or seek to convince audiences that what they be watching is actually occurring, but should mimic the epic poets craft and but present an account of past events. His theory is expounded in A Little Organum for the Theater (1948). A Marxist after the previous(a) 1920s, Brecht viewed mankind as victims of capitalist greed, but his aptitude as a playwright produced characters of unusual depth and dimension. Eugen Berthold Friedrich Brecht was natural in Augsburg, Germany, on Feb. 10, 1898. Brecht entered the University of Munich as a medical assimilator in 1917, but he had more interest in literary productions and drama than in medicine. Called into the German army, he served in a military hospital during the last year of cosmos warfare I and be came a pacifist. His first play, Baal, was completed in 1918. His siemens play, Spartakus (renamed Drums in the Night), brought Brecht immediate recognition when it was first performed in 1922, and he was awarded the Kleist prize as the most promising new-fangled playwright of the year. In Berlin in the mid-1920s, Brecht worked briefly under scoop Reinhardt at the German Theater.

Works of this period were the play A macrocosms a Man (1926) and several operas with music by Kurt Weill?including The tuppeny Opera (1928), perchance Brechts known work, and The Rise and Fall of the city of Mahagonny (1930). Fleeing Nazi Germany in 1933, Br echt lived in exile in Denmark for sextet y! ears, Sweden and Finland briefly, and the United States from 1941 to 1947. Among the best-known plays from this period were Mother Courage and Her Children (1941), The... If you lack to get a full essay, order it on our website: BestEssayCheap.com

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